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dc.contributorCvejić, Žarko
dc.contributorFilipović, Andrija
dc.contributorPetrov, Ana
dc.creatorMaglov, Marija
dc.date.accessioned2018-06-20T12:36:53Z
dc.date.available2018-06-20T12:36:53Z
dc.date.issued2016
dc.identifier.isbn978-1-4438-9782-2
dc.identifier.urihttp://dais.sanu.ac.rs/123456789/3404
dc.description.abstractPoint of departure in this paper is the notion of the avant-garde in music as viewed by Serbian musicologist Mirjana Veselinović Hofman, with focus on her concept of local avant-garde, compared to the concept of transculturality developed by German philosopher, aesthetician, and theorist of culture Wolfgang Welsch. Together, these concepts put the idea of the avant-garde in music in a different perspective, especially concerning the place and time of its emergence. Inspired by those two concepts, the status of avant-garde, radical music today is further investigated, using the insights in contemporary music by Adornian music aesthetician Max Paddison.sr
dc.language.isoensr
dc.publisherNewcastle upon Tyne : Cambridge Scholars Publishingsr
dc.rightsopenAccesssr
dc.sourceThe Crisis in the Humanities: Transdisciplinary Solutionssr
dc.subjectmusical avant-gardesr
dc.subjecttransculturalitysr
dc.subjectmusicologysr
dc.subjectMirjana Veselinović-Hofmansr
dc.subjectWolfgang Welschsr
dc.subjectMax Paddisonsr
dc.titleBeyond the Crisis of the Avant-garde in Music: The Potentials of Wolfgang Welsch's Concept of Transculturality in Musicological Studiessr
dc.typebookPartsr
dc.rights.licenseARRsr
dcterms.abstractМаглов, Марија;
dc.rights.holderŽarko Cvejić, Andrija Filipović, Ana Petrov and contributorssr
dc.citation.spage102
dc.citation.epage109
dc.type.versionpublishedVersionsr
dc.identifier.fulltexthttp://dais.sanu.ac.rs/bitstream/id/10941/Marija Maglov_Beyond the Crisis of the Avant-garde in Music.pdf


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