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dc.creatorBralović, Miloš
dc.date.accessioned2018-06-13T14:26:53Z
dc.date.available2018-06-13T14:26:53Z
dc.date.issued2014
dc.identifier.issn0354-818X (print)
dc.identifier.issn1821-3782 (online)
dc.identifier.urihttp://www.newsound.org.rs/pdf/en/ns44/13Bralovic.pdf
dc.identifier.urihttp://dais.sanu.ac.rs/123456789/3385
dc.description.abstractThe main goal of this paper was to reveal the very beginnings of collage technique in Western art. Musical materials taking place in the scherzo movements of Gustav Mahler’s Fifth, Sixth and Seventh Symphony are arranged astonishingly similar to arrangement of different materials (i.e. fabric, wallpaper, newspaper fragments etc.) in first collage paintings by Picasso and Braque. Considering the fact that composing of the symphonies occurred significantly earlier than the first collage paintings, we come to a conclusion that collage technique pioneered not in the art of painting but in that of music.sr
dc.language.isoensr
dc.publisherBelgrade : Department of Musicology, Faculty of Musicsr
dc.rightsopenAccesssr
dc.sourceNew Sound International Journal of Musicsr
dc.subjectcollagesr
dc.subjectGustav Mahlersr
dc.subjectRückert symphoniessr
dc.subjectscherzossr
dc.subjectPablo Picassosr
dc.subjectGeorges Braquesr
dc.titleThe Collage-Shaped Worlds of Gustav Mahler's Rückert Symphoniessr
dc.typearticlesr
dc.rights.licenseBY-NC-NDsr
dcterms.abstractБраловић, Милош;
dc.citation.spage179
dc.citation.epage198
dc.citation.issue44
dc.description.otherSection: Students' Papers. This paper was written under the mentorship of Professor Tijana Popović Mlađenović, PhD, within the study programme Musicology, academic year 2012/13, at the Department of Musicology at the Faculty of Music in Belgrade. Translated by Žarko Cvejić.sr
dc.identifier.cobiss80527367
dc.type.versionpublishedVersionsr
dc.identifier.fulltexthttp://dais.sanu.ac.rs/bitstream/id/10847/Bralovic-G.Mahler_Collage-Shaped_Worlds.pdf


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