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Istok-Zapad u polemičkom kontekstu srpske muzike između dva svetska rata

dc.creatorTomašević, Katarina D.
dc.date.accessioned2018-05-07T11:19:15Z
dc.date.available2018-05-07T11:19:15Z
dc.date.issued2005
dc.identifier.issn1450-9814 (print)
dc.identifier.urihttp://dais.sanu.ac.rs/123456789/2556
dc.description.abstractThis article represents a fragment of the author's doctoral dissertation Serbian Music at the Crossroads of the East and the West? On the Dialogue between the Traditional and the Modern in Serbian Music between the Two World Wars (the review of the thesis see on www.newsound.org.yu, issue No 24). The thesis (mentor: prof. Dr Mirjana Veselinović-Hofman) was defended at the Faculty of Music, Belgrade, on January 2004. A revised text of the dissertation is forthcoming, in an edition of the Institute of Musicology of the Serbian Academy of Sciences and Arts. The article describes the creative orientation of composers Miloje Milojević, Petar Konjović and Josip Slavenski as the key figures of the epoch, indicates their choices of an Eastern or Western orientation, and explains the antagonism between the poetics of the "Europeans" and the representatives of avant-garde trends. The topicality of the East-West dichotomy in the critical consciousness of the protagonist of this period is marked as one of the main and the most important dilemma of the polemical context of the Serbian art after the World War I. Conducted from standpoints "Pro et Contra Europe", East-West discussion was also the part of the debate of Serbian national art's development strategy in the new, modern epoch of its history.en
dc.description.abstractPolazeći od činjenice da pojmovna dihotomija Istok-Zapad, a takođe i sintagma o raskršću Istoka i Zapada predstavljaju svojevrsnu konstantu rasprava o srpskoj istoriji, kulturi i umetnosti, u radu se ukazuje na aktivnu zastupljenost ovih pojmova u svesti ključnih protagonista epohe srpske muzike između dva svetska rata. Posebna pažnja poklonjena je različitim viđenjima strategije razvoja "nove", moderne srpske muzike nakon Prvog svetskog rata. Razmatraju se stavovi i stvaralačke orijentacije Miloja Milojevića, Petra Konjovića, Josipa Slavenskog, kao i predstavnika najmlađe kompozitorske generacije.sr
dc.rightsopenAccess
dc.sourceMuzikologija
dc.subjectIstoksr
dc.subjectZapadsr
dc.subjectsrpska muzika između dva svetska ratasr
dc.subjectMiloje Milojevićsr
dc.subjectPetar Konjovićsr
dc.subjectJosip Slavenskisr
dc.titleThe East and the West in the polemical context of the Serbian music between the two World Warsen
dc.titleIstok-Zapad u polemičkom kontekstu srpske muzike između dva svetska ratasr
dc.typearticle
dcterms.abstractТомашевић Катарина Д.; Исток-Запад у полемичком контексту српске музике између два светска рата; Исток-Запад у полемичком контексту српске музике између два светска рата;
dc.citation.spage119
dc.citation.epage129
dc.citation.issue5
dc.identifier.doi10.2298/MUZ0505119T
dc.type.versionpublishedVersion
dc.identifier.fulltexthttp://dais.sanu.ac.rs/bitstream/handle/123456789/2556/2634.pdf
dc.citation.other(5): 119-129


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