Social criticism and subversion of operatic conventions in Irena Dragović’s compositional work
Конференцијски прилог (Објављена верзија)
Метаподаци
Приказ свих података о документуАпстракт
In this paper, I consider the operas Poslednje devojčice [The last Little Girls] (2021) and Deca [Children] (2022) by the Serbian composer Irena Popović (b. 1974), with a special focus on the interrelation of social criticism and the subversion of operatic conventions in her works.
Кључне речи:
Poslednje devojčice [The last Little Girls] / Deca [Children] / Operas / Irena Popović / Serbian ComposersИзвор:
8th International Conference of the RASMB-IMS: Musical Cultures and Diasporas in the Balkans., 2023, 27-Издавач:
- Thessaloniki: Regional Association for the Study of Music of the Balkans, and School of Music Studies of the Aristotle University
Институција/група
Музиколошки институт САНУ / Institute of Musicology SASATY - CONF AU - Milanović, Biljana PY - 2023 UR - https://dais.sanu.ac.rs/123456789/16303 AB - In this paper, I consider the operas Poslednje devojčice [The last Little Girls] (2021) and Deca [Children] (2022) by the Serbian composer Irena Popović (b. 1974), with a special focus on the interrelation of social criticism and the subversion of operatic conventions in her works. PB - Thessaloniki: Regional Association for the Study of Music of the Balkans, and School of Music Studies of the Aristotle University C3 - 8th International Conference of the RASMB-IMS: Musical Cultures and Diasporas in the Balkans. T1 - Social criticism and subversion of operatic conventions in Irena Dragović’s compositional work SP - 27 UR - https://hdl.handle.net/21.15107/rcub_dais_16303 ER -
@conference{ author = "Milanović, Biljana", year = "2023", abstract = "In this paper, I consider the operas Poslednje devojčice [The last Little Girls] (2021) and Deca [Children] (2022) by the Serbian composer Irena Popović (b. 1974), with a special focus on the interrelation of social criticism and the subversion of operatic conventions in her works.", publisher = "Thessaloniki: Regional Association for the Study of Music of the Balkans, and School of Music Studies of the Aristotle University", journal = "8th International Conference of the RASMB-IMS: Musical Cultures and Diasporas in the Balkans.", title = "Social criticism and subversion of operatic conventions in Irena Dragović’s compositional work", pages = "27", url = "https://hdl.handle.net/21.15107/rcub_dais_16303" }
Milanović, B.. (2023). Social criticism and subversion of operatic conventions in Irena Dragović’s compositional work. in 8th International Conference of the RASMB-IMS: Musical Cultures and Diasporas in the Balkans. Thessaloniki: Regional Association for the Study of Music of the Balkans, and School of Music Studies of the Aristotle University., 27. https://hdl.handle.net/21.15107/rcub_dais_16303
Milanović B. Social criticism and subversion of operatic conventions in Irena Dragović’s compositional work. in 8th International Conference of the RASMB-IMS: Musical Cultures and Diasporas in the Balkans.. 2023;:27. https://hdl.handle.net/21.15107/rcub_dais_16303 .
Milanović, Biljana, "Social criticism and subversion of operatic conventions in Irena Dragović’s compositional work" in 8th International Conference of the RASMB-IMS: Musical Cultures and Diasporas in the Balkans. (2023):27, https://hdl.handle.net/21.15107/rcub_dais_16303 .