Between Mythical and Rational Worlds: Medea by Pier Paolo Pasolini
Чланак у часопису (Објављена верзија)
Метаподаци
Приказ свих података о документуАпстракт
he subject of this chapter is Pier Paolo Pasolini’s film adaptation of one
of the most shocking and intriguing plays from Greek antiquity, Euripides’
Medea. This is a text that continues to inspire generations of artists – mostly
playwrights, but also writers and film directors – who approach it in many
different ways, dealing with the issues of an oppressed foreign woman,
who, in the Euripidean account, brutally killed her children.
Кључне речи:
Medea / tragedy / film / Pier Paolo Pasolini / classical receptionИзвор:
Ancient Worlds in Film and Television: Gender and Politics, 2013, 213-227Издавач:
- Leiden, Boston : Brill
Финансирање / пројекти:
- Културно наслеђе и идентитет (RS-MESTD-Basic Research (BR or ON)-177026)
DOI: 10.1163/9789004241923_013
ISBN: 978-90-04-18320-9 (hardback)
ISSN: 2212-9405
Scopus: 2-s2.0-84965150898
Институција/група
Етнографски институт САНУ / Institute of Ethnography SASATY - JOUR AU - Stevanović, Lada PY - 2013 UR - https://brill.com/edcollbook-oa/title/21495 UR - https://dais.sanu.ac.rs/123456789/15365 AB - he subject of this chapter is Pier Paolo Pasolini’s film adaptation of one of the most shocking and intriguing plays from Greek antiquity, Euripides’ Medea. This is a text that continues to inspire generations of artists – mostly playwrights, but also writers and film directors – who approach it in many different ways, dealing with the issues of an oppressed foreign woman, who, in the Euripidean account, brutally killed her children. PB - Leiden, Boston : Brill T2 - Ancient Worlds in Film and Television: Gender and Politics T1 - Between Mythical and Rational Worlds: Medea by Pier Paolo Pasolini SP - 213 EP - 227 DO - 10.1163/9789004241923_013 UR - https://hdl.handle.net/21.15107/rcub_dais_15365 ER -
@article{ author = "Stevanović, Lada", year = "2013", abstract = "he subject of this chapter is Pier Paolo Pasolini’s film adaptation of one of the most shocking and intriguing plays from Greek antiquity, Euripides’ Medea. This is a text that continues to inspire generations of artists – mostly playwrights, but also writers and film directors – who approach it in many different ways, dealing with the issues of an oppressed foreign woman, who, in the Euripidean account, brutally killed her children.", publisher = "Leiden, Boston : Brill", journal = "Ancient Worlds in Film and Television: Gender and Politics", title = "Between Mythical and Rational Worlds: Medea by Pier Paolo Pasolini", pages = "213-227", doi = "10.1163/9789004241923_013", url = "https://hdl.handle.net/21.15107/rcub_dais_15365" }
Stevanović, L.. (2013). Between Mythical and Rational Worlds: Medea by Pier Paolo Pasolini. in Ancient Worlds in Film and Television: Gender and Politics Leiden, Boston : Brill., 213-227. https://doi.org/10.1163/9789004241923_013 https://hdl.handle.net/21.15107/rcub_dais_15365
Stevanović L. Between Mythical and Rational Worlds: Medea by Pier Paolo Pasolini. in Ancient Worlds in Film and Television: Gender and Politics. 2013;:213-227. doi:10.1163/9789004241923_013 https://hdl.handle.net/21.15107/rcub_dais_15365 .
Stevanović, Lada, "Between Mythical and Rational Worlds: Medea by Pier Paolo Pasolini" in Ancient Worlds in Film and Television: Gender and Politics (2013):213-227, https://doi.org/10.1163/9789004241923_013 ., https://hdl.handle.net/21.15107/rcub_dais_15365 .