Orthodox Church Music at the Crossroads between Central-European and Mediterranean Cultural Heritage
Pravoslavna crkvena glazba na razmeđi srednjoeuropske i mediteranske kulturne baštine
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Numerous studies have been written and published on the social status and cultural progress of the emerging Serbian and Greek bourgeoisie of the Habsburg Monarchy in the 18th and 19th ce-nturies.1 Still, only a handful of them is devoted to the role of music in the shaping of the identity of Balkan Christians in the given country and period. In the focus of this chapter is the establishment of the practice of multipart choral singing in the Serbian and Greek Orthodox Churches of the Habsburg Monarchy, which was untypical for their liturgical traditions. This novel musical current will be explored from the perspective of theological and cultural influences from the West, which rapidly and profoundly transformed the image of Orthodox Balkan nations, and blurred the boundaries between West and East, and European and Balkan/Mediterranean cultural spaces. The self-perceived cultural inferiority of members of the Greek and Serbian diaspora in the face of the abundant and diverse musical heri...tage of imperial Vienna, was, as will be pointed out, critical for «installing» multipart choral ensembles in the galleries of Orthodox church edifices. Therefore, this phenomenon will serve as a basis for our narrative.
Кључне речи:
Orthodox Church Music / Cultural Heritage / Central-Europe / Mediterranean / Serbian bourgeoisie / Greek bourgeoisie / BalkanИзвор:
Između srednje Europe i Mediterana: Glazba, književnost i izvedbene umjetnosti / Between Central Europe and Mediterranean : Music, Literature and the Performing Arts, 2021, 359-372Издавач:
- Split : Umjetnička akademija Sveučilišta
- Split : Filozofski fakultet Sveučilišta
Институција/група
Музиколошки институт САНУ / Institute of Musicology SASATY - CHAP AU - Peno, Vesna AU - Vesić, Ivana PY - 2021 UR - https://dais.sanu.ac.rs/123456789/14829 AB - Numerous studies have been written and published on the social status and cultural progress of the emerging Serbian and Greek bourgeoisie of the Habsburg Monarchy in the 18th and 19th ce-nturies.1 Still, only a handful of them is devoted to the role of music in the shaping of the identity of Balkan Christians in the given country and period. In the focus of this chapter is the establishment of the practice of multipart choral singing in the Serbian and Greek Orthodox Churches of the Habsburg Monarchy, which was untypical for their liturgical traditions. This novel musical current will be explored from the perspective of theological and cultural influences from the West, which rapidly and profoundly transformed the image of Orthodox Balkan nations, and blurred the boundaries between West and East, and European and Balkan/Mediterranean cultural spaces. The self-perceived cultural inferiority of members of the Greek and Serbian diaspora in the face of the abundant and diverse musical heritage of imperial Vienna, was, as will be pointed out, critical for «installing» multipart choral ensembles in the galleries of Orthodox church edifices. Therefore, this phenomenon will serve as a basis for our narrative. PB - Split : Umjetnička akademija Sveučilišta PB - Split : Filozofski fakultet Sveučilišta T2 - Između srednje Europe i Mediterana: Glazba, književnost i izvedbene umjetnosti / Between Central Europe and Mediterranean : Music, Literature and the Performing Arts T1 - Orthodox Church Music at the Crossroads between Central-European and Mediterranean Cultural Heritage T1 - Pravoslavna crkvena glazba na razmeđi srednjoeuropske i mediteranske kulturne baštine SP - 359 EP - 372 UR - https://hdl.handle.net/21.15107/rcub_dais_14829 ER -
@inbook{ author = "Peno, Vesna and Vesić, Ivana", year = "2021", abstract = "Numerous studies have been written and published on the social status and cultural progress of the emerging Serbian and Greek bourgeoisie of the Habsburg Monarchy in the 18th and 19th ce-nturies.1 Still, only a handful of them is devoted to the role of music in the shaping of the identity of Balkan Christians in the given country and period. In the focus of this chapter is the establishment of the practice of multipart choral singing in the Serbian and Greek Orthodox Churches of the Habsburg Monarchy, which was untypical for their liturgical traditions. This novel musical current will be explored from the perspective of theological and cultural influences from the West, which rapidly and profoundly transformed the image of Orthodox Balkan nations, and blurred the boundaries between West and East, and European and Balkan/Mediterranean cultural spaces. The self-perceived cultural inferiority of members of the Greek and Serbian diaspora in the face of the abundant and diverse musical heritage of imperial Vienna, was, as will be pointed out, critical for «installing» multipart choral ensembles in the galleries of Orthodox church edifices. Therefore, this phenomenon will serve as a basis for our narrative.", publisher = "Split : Umjetnička akademija Sveučilišta, Split : Filozofski fakultet Sveučilišta", journal = "Između srednje Europe i Mediterana: Glazba, književnost i izvedbene umjetnosti / Between Central Europe and Mediterranean : Music, Literature and the Performing Arts", booktitle = "Orthodox Church Music at the Crossroads between Central-European and Mediterranean Cultural Heritage, Pravoslavna crkvena glazba na razmeđi srednjoeuropske i mediteranske kulturne baštine", pages = "359-372", url = "https://hdl.handle.net/21.15107/rcub_dais_14829" }
Peno, V.,& Vesić, I.. (2021). Orthodox Church Music at the Crossroads between Central-European and Mediterranean Cultural Heritage. in Između srednje Europe i Mediterana: Glazba, književnost i izvedbene umjetnosti / Between Central Europe and Mediterranean : Music, Literature and the Performing Arts Split : Umjetnička akademija Sveučilišta., 359-372. https://hdl.handle.net/21.15107/rcub_dais_14829
Peno V, Vesić I. Orthodox Church Music at the Crossroads between Central-European and Mediterranean Cultural Heritage. in Između srednje Europe i Mediterana: Glazba, književnost i izvedbene umjetnosti / Between Central Europe and Mediterranean : Music, Literature and the Performing Arts. 2021;:359-372. https://hdl.handle.net/21.15107/rcub_dais_14829 .
Peno, Vesna, Vesić, Ivana, "Orthodox Church Music at the Crossroads between Central-European and Mediterranean Cultural Heritage" in Između srednje Europe i Mediterana: Glazba, književnost i izvedbene umjetnosti / Between Central Europe and Mediterranean : Music, Literature and the Performing Arts (2021):359-372, https://hdl.handle.net/21.15107/rcub_dais_14829 .