Prokofiev and Shostakovich : A Two-Way Influence
Само за регистроване кориснике
2020
Поглавље у монографији (Објављена верзија)
Метаподаци
Приказ свих података о документуАпстракт
Although much has been written on the professional and personal trajectories of Sergei Prokofiev (1891-1953) and Dmitri Shostakovich (1906-1975)—arguably the greatest Russian/Soviet composers of the twentieth century—when it comes to their relationship, a number of writers (in particular those who took Solomon Volkov’s Testimony, with its sensationalistic negative portrayal of Prokofiev, at face value) have focused on the composers’ alleged personal antagonism and
professional jealousies, often by relying on the composers’ private musings or on witness accounts and anecdotes of a questionable authenticity. A recently published collection of essays from the international conferences organized by the Deutsche Schostakowitsch Gesellschaft in 2011 and 2013 serves as an appropriate departure point for the present study, albeit in a rather negative way. Among the seven essays in that collection that deal with the various aspects of
Shostakovich’s and Prokofiev’s professional and personal r...elationships, we find articles that recycle the stereotypes from Testimony, despite the fact that this book has long been discredited.
Кључне речи:
Sergei Prokofiev / Dmitri Shostakovich / Russian composers / Soviet composers / Solomon Volkov’s TestimonyИзвор:
Rethinking Prokofiev, 2020, 87-106Издавач:
- Oxford : Oxford University Press
Финансирање / пројекти:
- Идентитети српске музике од локалних до глобалних оквира: традиције, промене, изазови (RS-MESTD-Basic Research (BR or ON)-177004)
Институција/група
Музиколошки институт САНУ / Institute of Musicology SASATY - CHAP AU - Medić, Ivana PY - 2020 UR - https://dais.sanu.ac.rs/123456789/14309 AB - Although much has been written on the professional and personal trajectories of Sergei Prokofiev (1891-1953) and Dmitri Shostakovich (1906-1975)—arguably the greatest Russian/Soviet composers of the twentieth century—when it comes to their relationship, a number of writers (in particular those who took Solomon Volkov’s Testimony, with its sensationalistic negative portrayal of Prokofiev, at face value) have focused on the composers’ alleged personal antagonism and professional jealousies, often by relying on the composers’ private musings or on witness accounts and anecdotes of a questionable authenticity. A recently published collection of essays from the international conferences organized by the Deutsche Schostakowitsch Gesellschaft in 2011 and 2013 serves as an appropriate departure point for the present study, albeit in a rather negative way. Among the seven essays in that collection that deal with the various aspects of Shostakovich’s and Prokofiev’s professional and personal relationships, we find articles that recycle the stereotypes from Testimony, despite the fact that this book has long been discredited. PB - Oxford : Oxford University Press T2 - Rethinking Prokofiev T1 - Prokofiev and Shostakovich : A Two-Way Influence SP - 87 EP - 106 DO - 10.1093/0s0/9780190670764.003.0007 UR - https://hdl.handle.net/21.15107/rcub_dais_14309 ER -
@inbook{ author = "Medić, Ivana", year = "2020", abstract = "Although much has been written on the professional and personal trajectories of Sergei Prokofiev (1891-1953) and Dmitri Shostakovich (1906-1975)—arguably the greatest Russian/Soviet composers of the twentieth century—when it comes to their relationship, a number of writers (in particular those who took Solomon Volkov’s Testimony, with its sensationalistic negative portrayal of Prokofiev, at face value) have focused on the composers’ alleged personal antagonism and professional jealousies, often by relying on the composers’ private musings or on witness accounts and anecdotes of a questionable authenticity. A recently published collection of essays from the international conferences organized by the Deutsche Schostakowitsch Gesellschaft in 2011 and 2013 serves as an appropriate departure point for the present study, albeit in a rather negative way. Among the seven essays in that collection that deal with the various aspects of Shostakovich’s and Prokofiev’s professional and personal relationships, we find articles that recycle the stereotypes from Testimony, despite the fact that this book has long been discredited.", publisher = "Oxford : Oxford University Press", journal = "Rethinking Prokofiev", booktitle = "Prokofiev and Shostakovich : A Two-Way Influence", pages = "87-106", doi = "10.1093/0s0/9780190670764.003.0007", url = "https://hdl.handle.net/21.15107/rcub_dais_14309" }
Medić, I.. (2020). Prokofiev and Shostakovich : A Two-Way Influence. in Rethinking Prokofiev Oxford : Oxford University Press., 87-106. https://doi.org/10.1093/0s0/9780190670764.003.0007 https://hdl.handle.net/21.15107/rcub_dais_14309
Medić I. Prokofiev and Shostakovich : A Two-Way Influence. in Rethinking Prokofiev. 2020;:87-106. doi:10.1093/0s0/9780190670764.003.0007 https://hdl.handle.net/21.15107/rcub_dais_14309 .
Medić, Ivana, "Prokofiev and Shostakovich : A Two-Way Influence" in Rethinking Prokofiev (2020):87-106, https://doi.org/10.1093/0s0/9780190670764.003.0007 ., https://hdl.handle.net/21.15107/rcub_dais_14309 .