Stalin’s Music Prize: Soviet Culture and Politics
Stalinova glasbena nagrada: Sovjetska kultura in politika
Апстракт
Ten years ago, tasked with reviewing Marina Frolova-Walker’s first book Russian Music and Nationalism: From Glinka to Stalin (Yale University Press, 2007), I praised the author for dismantling long-standing myths and questioning the activities of some of the sacred cows of Russian music history, and for writing about the topics that “annoyed” her in a most enlightening and gripping way. After reading Frolova-Walker’s latest book, Stalin’s Music Prize: Soviet Culture and Politics, I was thrilled to see that the author is still busting myths, charting the hitherto unexplored areas of Soviet music history, and narrating a fascinating and often hilarious story of the rise-and-fall of Stalin’s prize for artistic achievements. Frolova-Walker provides brilliant insight into the inner workings of the Soviet institutional and cultural system, and the power play that affected the process of rewarding artists whose work was meant to stand for the best that Soviet culture had to offer.
Кључне речи:
Stalin’s Music Prize / Soviet Culture and PoliticsИзвор:
Musicological Annual, 2018, 1, 54, 177-182Издавач:
- Ljubljana : Znanstvena založba Filozofske fakultete Univerze v Ljubljani
Финансирање / пројекти:
- Идентитети српске музике од локалних до глобалних оквира: традиције, промене, изазови (RS-MESTD-Basic Research (BR or ON)-177004)
Напомена:
- Prikaz je objavljen na engleskom i slovenačkom jeziku.
DOI: 10.4312/mz.54.1.177-182
ISSN: 0580-373X (print) ; 2350-4242 (online)
WoS: 000437422700012
Scopus: 2-s2.0-85113266985
Институција/група
Музиколошки институт САНУ / Institute of Musicology SASATY - JOUR AU - Medić, Ivana PY - 2018 UR - https://dais.sanu.ac.rs/123456789/14308 AB - Ten years ago, tasked with reviewing Marina Frolova-Walker’s first book Russian Music and Nationalism: From Glinka to Stalin (Yale University Press, 2007), I praised the author for dismantling long-standing myths and questioning the activities of some of the sacred cows of Russian music history, and for writing about the topics that “annoyed” her in a most enlightening and gripping way. After reading Frolova-Walker’s latest book, Stalin’s Music Prize: Soviet Culture and Politics, I was thrilled to see that the author is still busting myths, charting the hitherto unexplored areas of Soviet music history, and narrating a fascinating and often hilarious story of the rise-and-fall of Stalin’s prize for artistic achievements. Frolova-Walker provides brilliant insight into the inner workings of the Soviet institutional and cultural system, and the power play that affected the process of rewarding artists whose work was meant to stand for the best that Soviet culture had to offer. PB - Ljubljana : Znanstvena založba Filozofske fakultete Univerze v Ljubljani T2 - Musicological Annual T1 - Stalin’s Music Prize: Soviet Culture and Politics T1 - Stalinova glasbena nagrada: Sovjetska kultura in politika SP - 177 EP - 182 VL - 1 IS - 54 DO - 10.4312/mz.54.1.177-182 UR - https://hdl.handle.net/21.15107/rcub_dais_14308 ER -
@article{ author = "Medić, Ivana", year = "2018", abstract = "Ten years ago, tasked with reviewing Marina Frolova-Walker’s first book Russian Music and Nationalism: From Glinka to Stalin (Yale University Press, 2007), I praised the author for dismantling long-standing myths and questioning the activities of some of the sacred cows of Russian music history, and for writing about the topics that “annoyed” her in a most enlightening and gripping way. After reading Frolova-Walker’s latest book, Stalin’s Music Prize: Soviet Culture and Politics, I was thrilled to see that the author is still busting myths, charting the hitherto unexplored areas of Soviet music history, and narrating a fascinating and often hilarious story of the rise-and-fall of Stalin’s prize for artistic achievements. Frolova-Walker provides brilliant insight into the inner workings of the Soviet institutional and cultural system, and the power play that affected the process of rewarding artists whose work was meant to stand for the best that Soviet culture had to offer.", publisher = "Ljubljana : Znanstvena založba Filozofske fakultete Univerze v Ljubljani", journal = "Musicological Annual", title = "Stalin’s Music Prize: Soviet Culture and Politics, Stalinova glasbena nagrada: Sovjetska kultura in politika", pages = "177-182", volume = "1", number = "54", doi = "10.4312/mz.54.1.177-182", url = "https://hdl.handle.net/21.15107/rcub_dais_14308" }
Medić, I.. (2018). Stalin’s Music Prize: Soviet Culture and Politics. in Musicological Annual Ljubljana : Znanstvena založba Filozofske fakultete Univerze v Ljubljani., 1(54), 177-182. https://doi.org/10.4312/mz.54.1.177-182 https://hdl.handle.net/21.15107/rcub_dais_14308
Medić I. Stalin’s Music Prize: Soviet Culture and Politics. in Musicological Annual. 2018;1(54):177-182. doi:10.4312/mz.54.1.177-182 https://hdl.handle.net/21.15107/rcub_dais_14308 .
Medić, Ivana, "Stalin’s Music Prize: Soviet Culture and Politics" in Musicological Annual, 1, no. 54 (2018):177-182, https://doi.org/10.4312/mz.54.1.177-182 ., https://hdl.handle.net/21.15107/rcub_dais_14308 .