Alfred Schnittke's Operas from the 1990s in the Context of Trauma Studies
Аутори
Medić, IvanaОстала ауторства
Marinković, SonjaMikić, Vesna
Perković, Ivana
Popović Mlađenović, Tijana
Stefanović, Ana
Stojanović-Novičić, Dragana
Поглавље у монографији (Објављена верзија)
Метаподаци
Приказ свих података о документуАпстракт
In this study I discuss Alfred Schnittke's operatic ‘trilogy’ from the 1990s in the context of trauma studies, a relatively recent research area in contempoгагу musicology. Schnittke’s operas Life with an Idiot, Gesualdo and The Tale of Dr. Johann Faust, written towards the end of the composer’s life, demonstrated his reaction to collective and personal traumas - be it the brutality of the communist rule, the loss of historical continuum in a society that had violently destroyed its own past in the name of the projected ideal future, the suppression of God and of Christian
moral values, or the loss of Schnittke’s family members and his own near-death experiences and physical suffering.
Кључне речи:
Alfred Schnittke / operas / the 1990s / trauma studiesИзвор:
Challenges in Contemporary Musicology : Essays in Honor of Prof. Mirjana Veselinović-Hofman / Izazovi savremene muzikologije : Eseji u čast prof. Mirjane Veselinović-Hofman, 2018, 247-259Издавач:
- Beograd : Fakultet muzičke umetnosti
Финансирање / пројекти:
- Идентитети српске музике од локалних до глобалних оквира: традиције, промене, изазови (RS-MESTD-Basic Research (BR or ON)-177004)
Институција/група
Музиколошки институт САНУ / Institute of Musicology SASATY - CHAP AU - Medić, Ivana PY - 2018 UR - https://dais.sanu.ac.rs/123456789/14306 AB - In this study I discuss Alfred Schnittke's operatic ‘trilogy’ from the 1990s in the context of trauma studies, a relatively recent research area in contempoгагу musicology. Schnittke’s operas Life with an Idiot, Gesualdo and The Tale of Dr. Johann Faust, written towards the end of the composer’s life, demonstrated his reaction to collective and personal traumas - be it the brutality of the communist rule, the loss of historical continuum in a society that had violently destroyed its own past in the name of the projected ideal future, the suppression of God and of Christian moral values, or the loss of Schnittke’s family members and his own near-death experiences and physical suffering. PB - Beograd : Fakultet muzičke umetnosti T2 - Challenges in Contemporary Musicology : Essays in Honor of Prof. Mirjana Veselinović-Hofman / Izazovi savremene muzikologije : Eseji u čast prof. Mirjane Veselinović-Hofman T1 - Alfred Schnittke's Operas from the 1990s in the Context of Trauma Studies SP - 247 EP - 259 UR - https://hdl.handle.net/21.15107/rcub_dais_14306 ER -
@inbook{ author = "Medić, Ivana", year = "2018", abstract = "In this study I discuss Alfred Schnittke's operatic ‘trilogy’ from the 1990s in the context of trauma studies, a relatively recent research area in contempoгагу musicology. Schnittke’s operas Life with an Idiot, Gesualdo and The Tale of Dr. Johann Faust, written towards the end of the composer’s life, demonstrated his reaction to collective and personal traumas - be it the brutality of the communist rule, the loss of historical continuum in a society that had violently destroyed its own past in the name of the projected ideal future, the suppression of God and of Christian moral values, or the loss of Schnittke’s family members and his own near-death experiences and physical suffering.", publisher = "Beograd : Fakultet muzičke umetnosti", journal = "Challenges in Contemporary Musicology : Essays in Honor of Prof. Mirjana Veselinović-Hofman / Izazovi savremene muzikologije : Eseji u čast prof. Mirjane Veselinović-Hofman", booktitle = "Alfred Schnittke's Operas from the 1990s in the Context of Trauma Studies", pages = "247-259", url = "https://hdl.handle.net/21.15107/rcub_dais_14306" }
Medić, I.. (2018). Alfred Schnittke's Operas from the 1990s in the Context of Trauma Studies. in Challenges in Contemporary Musicology : Essays in Honor of Prof. Mirjana Veselinović-Hofman / Izazovi savremene muzikologije : Eseji u čast prof. Mirjane Veselinović-Hofman Beograd : Fakultet muzičke umetnosti., 247-259. https://hdl.handle.net/21.15107/rcub_dais_14306
Medić I. Alfred Schnittke's Operas from the 1990s in the Context of Trauma Studies. in Challenges in Contemporary Musicology : Essays in Honor of Prof. Mirjana Veselinović-Hofman / Izazovi savremene muzikologije : Eseji u čast prof. Mirjane Veselinović-Hofman. 2018;:247-259. https://hdl.handle.net/21.15107/rcub_dais_14306 .
Medić, Ivana, "Alfred Schnittke's Operas from the 1990s in the Context of Trauma Studies" in Challenges in Contemporary Musicology : Essays in Honor of Prof. Mirjana Veselinović-Hofman / Izazovi savremene muzikologije : Eseji u čast prof. Mirjane Veselinović-Hofman (2018):247-259, https://hdl.handle.net/21.15107/rcub_dais_14306 .