Return of Serbian Chant to Byzantine Tradition
Чланак у часопису (Објављена верзија)
Метаподаци
Приказ свих података о документуАпстракт
The article examines the specific phenomenon of the return of Serbian Orthodox Church music to Byzantine chant in the turbulent period of the early 1990s. The framework for the study is an analysis of a unique movement among younger generations of Serbian believers for the revival of ecclesiastical heritage in church art, particularly music. This paper highlights: (1) the reasons behind a deep spiritual crisis that preceded affirmation of Byzantine chant, (2) (in)correct perceptions of Eastern Christian tradition and heritage among Serbs actively engaged in the liturgical life of the Serbian Orthodox Church in the 1990s, and (3) some pros and cons of the unique musical tradition of the Eastern Church and the national variants of church singing, such as the Serbian church chant. The article concludes that even in today’s circumstances, the Orthodox
Serbs who ground their national identity in Eastern Christian/ Byzantine religious heritage regardless of the existing borders of the Serbi...an state – have a reason to consider themselves a
part of Byzantine and Mediterranean Europe.
Кључне речи:
church chant / Byzantium / Serbian Orthodox Church / national and spiritual identity / sacred traditionИзвор:
International Journal of Euro-Mediterranean Studies, 2020, 13, 2, 29-44Издавач:
- Piran : Euro-Mediterranean University (EMUNI)
URI
https://emuni.si/wp-content/uploads/2021/02/Scientific-2_13_2_2020.pdfhttps://dais.sanu.ac.rs/123456789/12766
Институција/група
Музиколошки институт САНУ / Institute of Musicology SASATY - JOUR AU - Peno, Vesna AU - Vesić, Ivana PY - 2020 UR - https://emuni.si/wp-content/uploads/2021/02/Scientific-2_13_2_2020.pdf UR - https://dais.sanu.ac.rs/123456789/12766 AB - The article examines the specific phenomenon of the return of Serbian Orthodox Church music to Byzantine chant in the turbulent period of the early 1990s. The framework for the study is an analysis of a unique movement among younger generations of Serbian believers for the revival of ecclesiastical heritage in church art, particularly music. This paper highlights: (1) the reasons behind a deep spiritual crisis that preceded affirmation of Byzantine chant, (2) (in)correct perceptions of Eastern Christian tradition and heritage among Serbs actively engaged in the liturgical life of the Serbian Orthodox Church in the 1990s, and (3) some pros and cons of the unique musical tradition of the Eastern Church and the national variants of church singing, such as the Serbian church chant. The article concludes that even in today’s circumstances, the Orthodox Serbs who ground their national identity in Eastern Christian/ Byzantine religious heritage regardless of the existing borders of the Serbian state – have a reason to consider themselves a part of Byzantine and Mediterranean Europe. PB - Piran : Euro-Mediterranean University (EMUNI) T2 - International Journal of Euro-Mediterranean Studies T1 - Return of Serbian Chant to Byzantine Tradition SP - 29 EP - 44 VL - 13 IS - 2 UR - https://hdl.handle.net/21.15107/rcub_dais_12766 ER -
@article{ author = "Peno, Vesna and Vesić, Ivana", year = "2020", abstract = "The article examines the specific phenomenon of the return of Serbian Orthodox Church music to Byzantine chant in the turbulent period of the early 1990s. The framework for the study is an analysis of a unique movement among younger generations of Serbian believers for the revival of ecclesiastical heritage in church art, particularly music. This paper highlights: (1) the reasons behind a deep spiritual crisis that preceded affirmation of Byzantine chant, (2) (in)correct perceptions of Eastern Christian tradition and heritage among Serbs actively engaged in the liturgical life of the Serbian Orthodox Church in the 1990s, and (3) some pros and cons of the unique musical tradition of the Eastern Church and the national variants of church singing, such as the Serbian church chant. The article concludes that even in today’s circumstances, the Orthodox Serbs who ground their national identity in Eastern Christian/ Byzantine religious heritage regardless of the existing borders of the Serbian state – have a reason to consider themselves a part of Byzantine and Mediterranean Europe.", publisher = "Piran : Euro-Mediterranean University (EMUNI)", journal = "International Journal of Euro-Mediterranean Studies", title = "Return of Serbian Chant to Byzantine Tradition", pages = "29-44", volume = "13", number = "2", url = "https://hdl.handle.net/21.15107/rcub_dais_12766" }
Peno, V.,& Vesić, I.. (2020). Return of Serbian Chant to Byzantine Tradition. in International Journal of Euro-Mediterranean Studies Piran : Euro-Mediterranean University (EMUNI)., 13(2), 29-44. https://hdl.handle.net/21.15107/rcub_dais_12766
Peno V, Vesić I. Return of Serbian Chant to Byzantine Tradition. in International Journal of Euro-Mediterranean Studies. 2020;13(2):29-44. https://hdl.handle.net/21.15107/rcub_dais_12766 .
Peno, Vesna, Vesić, Ivana, "Return of Serbian Chant to Byzantine Tradition" in International Journal of Euro-Mediterranean Studies, 13, no. 2 (2020):29-44, https://hdl.handle.net/21.15107/rcub_dais_12766 .