The Roots of a National Music Canon and the Taboo of Composing Folk Tunes: The Case of Stevan Stojanović Mokranjac’s Garlands
Апстракт
The cycle of 15 garlands, or folk-song medleys composed by Stevan Stojanović Mokranjac at the end of the nineteenth and the beginning of the twentieth century forms the core of the Serbian art music canon. Thus, it is not surprising that vindicating Mokranjac’s ‘originality’ has been one of the main objectives of Serbian musicological discourse. Arguing against what had been seen as a rude dismissal of Mokranjac’s garlands in the writings of some of his contemporaries, who called them ‘arrangements’ instead of ‘artworks’, later musicologists insisted that Mokranjac invested an original and artistic contribution in composing the garlands, while capturing the true spirit of Serbian folk-song.
Кључне речи:
Stevan Stojanović Mokranjac / National Music Canon / Folk Tunes / Serbian art music / Serbian folk-songИзвор:
Critical Music Historiography: Probing Canons, Ideologies and Institutions, 2015, 173-186Издавач:
- Farnham : Ashgate Publishing Limited
Финансирање / пројекти:
- Идентитети српске музике од локалних до глобалних оквира: традиције, промене, изазови (RS-MESTD-Basic Research (BR or ON)-177004)
Институција/група
Музиколошки институт САНУ / Institute of Musicology SASATY - CHAP AU - Atanasovski, Srđan PY - 2015 UR - https://dais.sanu.ac.rs/123456789/11822 AB - The cycle of 15 garlands, or folk-song medleys composed by Stevan Stojanović Mokranjac at the end of the nineteenth and the beginning of the twentieth century forms the core of the Serbian art music canon. Thus, it is not surprising that vindicating Mokranjac’s ‘originality’ has been one of the main objectives of Serbian musicological discourse. Arguing against what had been seen as a rude dismissal of Mokranjac’s garlands in the writings of some of his contemporaries, who called them ‘arrangements’ instead of ‘artworks’, later musicologists insisted that Mokranjac invested an original and artistic contribution in composing the garlands, while capturing the true spirit of Serbian folk-song. PB - Farnham : Ashgate Publishing Limited T2 - Critical Music Historiography: Probing Canons, Ideologies and Institutions T1 - The Roots of a National Music Canon and the Taboo of Composing Folk Tunes: The Case of Stevan Stojanović Mokranjac’s Garlands SP - 173 EP - 186 UR - https://hdl.handle.net/21.15107/rcub_dais_11822 ER -
@inbook{ author = "Atanasovski, Srđan", year = "2015", abstract = "The cycle of 15 garlands, or folk-song medleys composed by Stevan Stojanović Mokranjac at the end of the nineteenth and the beginning of the twentieth century forms the core of the Serbian art music canon. Thus, it is not surprising that vindicating Mokranjac’s ‘originality’ has been one of the main objectives of Serbian musicological discourse. Arguing against what had been seen as a rude dismissal of Mokranjac’s garlands in the writings of some of his contemporaries, who called them ‘arrangements’ instead of ‘artworks’, later musicologists insisted that Mokranjac invested an original and artistic contribution in composing the garlands, while capturing the true spirit of Serbian folk-song.", publisher = "Farnham : Ashgate Publishing Limited", journal = "Critical Music Historiography: Probing Canons, Ideologies and Institutions", booktitle = "The Roots of a National Music Canon and the Taboo of Composing Folk Tunes: The Case of Stevan Stojanović Mokranjac’s Garlands", pages = "173-186", url = "https://hdl.handle.net/21.15107/rcub_dais_11822" }
Atanasovski, S.. (2015). The Roots of a National Music Canon and the Taboo of Composing Folk Tunes: The Case of Stevan Stojanović Mokranjac’s Garlands. in Critical Music Historiography: Probing Canons, Ideologies and Institutions Farnham : Ashgate Publishing Limited., 173-186. https://hdl.handle.net/21.15107/rcub_dais_11822
Atanasovski S. The Roots of a National Music Canon and the Taboo of Composing Folk Tunes: The Case of Stevan Stojanović Mokranjac’s Garlands. in Critical Music Historiography: Probing Canons, Ideologies and Institutions. 2015;:173-186. https://hdl.handle.net/21.15107/rcub_dais_11822 .
Atanasovski, Srđan, "The Roots of a National Music Canon and the Taboo of Composing Folk Tunes: The Case of Stevan Stojanović Mokranjac’s Garlands" in Critical Music Historiography: Probing Canons, Ideologies and Institutions (2015):173-186, https://hdl.handle.net/21.15107/rcub_dais_11822 .