Фолклорно стваралаштво у бирократском коду : управљање музичким догађајем
Folklore in bureaucracy code: Running a music event
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Фолклорно стваралаштво у домену музичког спектакла исказује се као парадигма, бирократско дело и јавна представа. Такво јавно дело успоставља културни, економски и политички поредак, у коме владају посебна правила расподеле власти и моћи. Зато фолклорни спектакл кроз своје програме и активности представља сцену и арену појединачних и групних интереса.
A music folk-created piece of work is a construction expressed as a paradigm part of a set in the bureaucracy system and the public arena. Such a work is a mechanical concept, which defines inheritance as a construction of authenticity saturated with elements of folk, national culture. It is also a subject of certain conventions in the system of regulations; namely, it is a part of the administrative code. The usage of the folk created work as a paradigm and legislations is realized through an organizational apparatus that is, it becomes entertainment, a spectacle. This paper analyzes the functioning of the organizational machinery of a folk spectacle, starting with the government authorities, local self-management and the spectacle's administrative committees. To illustrate this phenomenon, the paper presents the development of a trumpet playing festival in Dragačevo. This particular festival establishes a cultural, economic and political order with a clear and defined division of pow...er. The analysis shows that the folk event in question, through its programs and activities, represents a scene and arena of individual and group interests. Organizational interactions are recognized in binary oppositions: sovereignty/dependency official/unofficial, dominancy/ subordination, innovative/inherited common/different, needed/useful, original/copy, one's own/belonging to someone else.
Кључне речи:
фолклорно стваралаштво / музички спектакл / бирократија / интерес / folk creativity / music spectacle / bureaucracy / interestИзвор:
Гласник Етнографског института САНУ / Bulletin of the Institute of Ethnography SASA, 2004, 52, 53-65Издавач:
- Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA
Финансирање / пројекти:
- Савремена сеоска и градска култура – путеви и трансформација, бр. 1868 / Contemporary Rural and Urban Culture - Ways of Transformation, no. 1868
Институција/група
Етнографски институт САНУ / Institute of Ethnography SASATY - JOUR AU - Лукић Крстановић, Мирослава PY - 2004 UR - https://dais.sanu.ac.rs/123456789/8778 AB - Фолклорно стваралаштво у домену музичког спектакла исказује се као парадигма, бирократско дело и јавна представа. Такво јавно дело успоставља културни, економски и политички поредак, у коме владају посебна правила расподеле власти и моћи. Зато фолклорни спектакл кроз своје програме и активности представља сцену и арену појединачних и групних интереса. AB - A music folk-created piece of work is a construction expressed as a paradigm part of a set in the bureaucracy system and the public arena. Such a work is a mechanical concept, which defines inheritance as a construction of authenticity saturated with elements of folk, national culture. It is also a subject of certain conventions in the system of regulations; namely, it is a part of the administrative code. The usage of the folk created work as a paradigm and legislations is realized through an organizational apparatus that is, it becomes entertainment, a spectacle. This paper analyzes the functioning of the organizational machinery of a folk spectacle, starting with the government authorities, local self-management and the spectacle's administrative committees. To illustrate this phenomenon, the paper presents the development of a trumpet playing festival in Dragačevo. This particular festival establishes a cultural, economic and political order with a clear and defined division of power. The analysis shows that the folk event in question, through its programs and activities, represents a scene and arena of individual and group interests. Organizational interactions are recognized in binary oppositions: sovereignty/dependency official/unofficial, dominancy/ subordination, innovative/inherited common/different, needed/useful, original/copy, one's own/belonging to someone else. PB - Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA T2 - Гласник Етнографског института САНУ / Bulletin of the Institute of Ethnography SASA T1 - Фолклорно стваралаштво у бирократском коду : управљање музичким догађајем T1 - Folklore in bureaucracy code: Running a music event SP - 53 EP - 65 VL - 52 DO - 10.2298/GEI0452053K UR - https://hdl.handle.net/21.15107/rcub_dais_8778 ER -
@article{ author = "Лукић Крстановић, Мирослава", year = "2004", abstract = "Фолклорно стваралаштво у домену музичког спектакла исказује се као парадигма, бирократско дело и јавна представа. Такво јавно дело успоставља културни, економски и политички поредак, у коме владају посебна правила расподеле власти и моћи. Зато фолклорни спектакл кроз своје програме и активности представља сцену и арену појединачних и групних интереса., A music folk-created piece of work is a construction expressed as a paradigm part of a set in the bureaucracy system and the public arena. Such a work is a mechanical concept, which defines inheritance as a construction of authenticity saturated with elements of folk, national culture. It is also a subject of certain conventions in the system of regulations; namely, it is a part of the administrative code. The usage of the folk created work as a paradigm and legislations is realized through an organizational apparatus that is, it becomes entertainment, a spectacle. This paper analyzes the functioning of the organizational machinery of a folk spectacle, starting with the government authorities, local self-management and the spectacle's administrative committees. To illustrate this phenomenon, the paper presents the development of a trumpet playing festival in Dragačevo. This particular festival establishes a cultural, economic and political order with a clear and defined division of power. The analysis shows that the folk event in question, through its programs and activities, represents a scene and arena of individual and group interests. Organizational interactions are recognized in binary oppositions: sovereignty/dependency official/unofficial, dominancy/ subordination, innovative/inherited common/different, needed/useful, original/copy, one's own/belonging to someone else.", publisher = "Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA", journal = "Гласник Етнографског института САНУ / Bulletin of the Institute of Ethnography SASA", title = "Фолклорно стваралаштво у бирократском коду : управљање музичким догађајем, Folklore in bureaucracy code: Running a music event", pages = "53-65", volume = "52", doi = "10.2298/GEI0452053K", url = "https://hdl.handle.net/21.15107/rcub_dais_8778" }
Лукић Крстановић, М.. (2004). Фолклорно стваралаштво у бирократском коду : управљање музичким догађајем. in Гласник Етнографског института САНУ / Bulletin of the Institute of Ethnography SASA Београд : Етнографски институт САНУ / Belgrade : Institute of Ethnography SASA., 52, 53-65. https://doi.org/10.2298/GEI0452053K https://hdl.handle.net/21.15107/rcub_dais_8778
Лукић Крстановић М. Фолклорно стваралаштво у бирократском коду : управљање музичким догађајем. in Гласник Етнографског института САНУ / Bulletin of the Institute of Ethnography SASA. 2004;52:53-65. doi:10.2298/GEI0452053K https://hdl.handle.net/21.15107/rcub_dais_8778 .
Лукић Крстановић, Мирослава, "Фолклорно стваралаштво у бирократском коду : управљање музичким догађајем" in Гласник Етнографског института САНУ / Bulletin of the Institute of Ethnography SASA, 52 (2004):53-65, https://doi.org/10.2298/GEI0452053K ., https://hdl.handle.net/21.15107/rcub_dais_8778 .